In the Land of Retinal Delights: The Juxtapoz Factor

June 22 - October 5, 2008, Laguna Art Museum
“In the Land of Retinal Delights: The Juxtapoz Factor is an exhibition that presents the work of 150 artists and posits that there has been a huge, but unacknowledged art movement taking place in this country for the last 40 years. Since 1994, this ground swelling of lowbrow, surrealistic, pop, figurative, narrative work has coalesced and found a voice in the pages of Juxtapoz magazine published in San Francisco. This rag has become the most widely read art magazine in the US. It is an influencing force on the aspiring artists of Generation Y and the Millennials, who are now enrolling in art schools in numbers never seen before” (Laguna Art Museum).
First off there is a ton of work in the show, you can tell just entering the first small gallery space that it was going to be packed. There are quite a few fantastic pieces and some that beg question, “Is this low brow?” or “How does this fit into the curators vision?”, “What is the connection between this artist and that one?”
My personal list of faves just goes on and on, I took pages of notes and discussed different works with a very knowledgeable docent as well as an art critic there to review the show. I was able to only take two shots as photography is not allowed, however when the same docent who asked I put my camera away saw me taking notes, asked if I was writing a paper, she said they let students some times take a few photos. Good thing to keep in mind.
So my list in order of my notes,
Sandow Birk’s L.A. Drive By on black velvet is awesome, I took a bad photo but could find no images of this work online. I am such a huge fan of his work, and the more I see it the more I enjoy it. Not only is his work done well but the constant references of pop culture mixed with art historical reference warms my art geek heart. With this blending he puts together this high culture of what is termed fine art like Jacques-Louie David’s Death of Marat and turns it into Death of Manuel making it for a whole new audience. The great thing about his work is the fact that you don’t have to get all the little art references to understand it, it just so good.


Slyvia Ji is a very tight painter and I love the images she’s been creating. They have this sort of art nouveau, goth, surreal thing going on. She is a young artist, probably one of the youngest in the exhibition and she can definitely hold her own with the big boys. Her lines flow so easy and and her color palates are beautiful. This work is in the show, titled Dona Dolorosa.

The inclusion of Irving Norman was great, his modernist surreal work always intrigues me especially when I consider the time period in which he doing this type of imagery. This work is large scale and there are so many small details that you have to see this one in person. Titled The Palace, 1959

The room is which this is displayed is large with very high ceilings and the works on the walls are large scale. There were a few pieces there that really caught my eye.
Todd Schorr’s Ape Worship is huge and features a huge gold frame with a giant skull on it. His work is absolutely great, the detail is mind boggling to me. I enjoy his work and for me he is a classic low brow artist like Robert Williams.
Also there was a nice sculpture by Stanislav Szukalski, Defense, 1916. I was not familiar with his work and after a quick search I saw some of his other works, this guy is awesome. Also after looking at his other works and reading his bio, he fits nicely into this show.

There is so much more work in the show it would take me pages to discuss it all. Some other highlights were Greg Gibbs The R. Biggs Memorial Museum and Dan Goodsell loaned some nifty books and records that had lots of great artwork on them from Jim Flora. The were a couple Murakamis and a Dalek, they didn’t really fit in the exhibition for me and I wonder if the curator felt the same way because they were placed in art location hell, next to the bathroom.
My only disappointment was the R. Crumb, it was visually a little boring. I love Crumb, I mean I really love his work, I love that he has a fetish for big strong women and wants to climb all over them. I was hoping to see something from the early days maybe a nice thick chick in some awkward position being dominated by the scrawny runt. Oh well, that’s me.
All in all its a good show, there is a lot of work and you will get what I call art overload when you just see to much. It’s a nice mix of younger and older artist, established artist mixed with some newer artist. I think it is a well put together exhibition that reflects just what Juxtapoz magizine is all about.




